Founded in 2013, Payadora Tango Ensemble has quickly become one of Toronto’s most vibrant and sought-after acts. Payadora performs an expansive repertoire that draws from the height of Buenos Aires’ Tango tradition, including compositions and arrangements by De Caro, Pugliese, Troilo, and Salgan, to the masterful, contemporary sounds of Astor Piazzolla and beyond. Drawing from eclectic backgrounds in Classical, Jazz, Latin, Eastern European folk music, and improvisation, Payadora’s performances exude technical virtuosity, playful spontaneity, and rhythmic vitality.

Highlights from Payadora’s past performances include sold-out shows at the St. Lawrence Centre for the Arts, Harbourfront Centre, Toronto Music Festival at Heliconion Hall, the Lula Lounge, the Jazz Bistro, the Rex Hotel Jazz and Blues Bar, the TD Toronto Jazz Festival, The Toronto Botanical Gardens Concert Series, the Kingston Road Village Concert Series, the Knox United Church concert Series, the Group of 27 Concert Series at Heliconion Hall, and for the Canadian Opera Company's World Music Series at the Four Seasons Centre. Payadora enjoys collaborating with ensembles and artists from other disciplines.  Payadora has been featured with the London Symphonia and the Hannaford Street Silver Band. In August 2018, Payadora will be performing at the Ottawa Chamberfest. Payadora's  2nd album, Volando includes arrangements of Argentinean folk music, traditional and modern tango as well as original compositions by Payadora members, Wolkstein and Horvath and album producer, Drew Jurecka. 


Rebekah Wolkstein, violin

With influences from Argentina to Eastern Europe to the great Astor Piazzolla, Payadora plays the tango like it’s meant to be: sultry, steamy, but with grace and precision.

You will be entertained!
— Howard Druckman, Editor, Words + Music magazine

Celebrated for her stunning virtuosity, nuance and broad musical versatility, Wisconsin-born violinist, Rebekah Wolkstein has established a strong presence on the Toronto music scene. Rebekah has worked as an orchestral musician since winning an audition at the age of 16. She has performed and toured extensively with the Toronto Symphony Orchestra, The National Ballet of Canada, The Canadian Opera Company.

An active studio musician, Rebekah is also at home playing in the styles of Folk, Klezmer, Pop, Latin, and Jazz and can be heard on numerous recordings including new releases by Donovan Woods, Royal Wood and Justin Gray.  

Rebekah is the first violinist of the Venuti String Quartet and performs regularly on the Westwood Concert Series. She has performed solo violin performances with Esmerelda Enrique Spanish Dance Company, Kaeja Dance and live to air with Simon Spiro on classical 96.3 FM and with Russell Braun. 

Aside from her active performing career, Rebekah holds a Doctorate in Violin Performance from the University of Toronto as well as degrees in violin from the Cleveland Institute of Music.  A dedicated educator, Rebekah teaches private lessons and ensembles out of her own studio and at Humber College.


Branko Dzinovic, accordion/bandoneon

Branko was born in Sabac, Serbia, where he began accordion lessons at age seven. He graduated from Music Gymnasium in Kragujevac, and subsequently from the Faculty of Music. After earning his Master’s Degree in Linz (Austria) and teaching at the school of music for several years, he is currently pursuing his Doctoral Degree at the University of Toronto, studying with Joseph Macerollo.

Branko has participated in various artistic projects, such as “Phonart” supported by the European Union – not only active as a performer, Branko regularly collaborates with artists coming from different types of media. Up to now, he has composed the soundtracks for two award-winning short films – “Tata Morgana” and “Daddy’s pride”. As a soloist he performed in Canada, England, Australia, New Zealand, Germany, Austria, Italy, Netherlands, and other countries. Dzinovic has recorded for Radio Belgrade, Radio Austria 1, and BBC. He is the winner of the 2013 DMA Recital Competition held at the University of Toronto.

Robert Horvath, piano


Robert Horvath is one of the most versatile pianist, gaining wide recognition in the province of Ontario. Apopular soloist with the Cathedral Bluffs Symphony Orchestra, he has performed regularly with the CBSO since 2008 performing Rachmaninoff’s Piano Concerto No. 2 in C minor and Bach’s single, double, trip, and quadruple keyboard concerti in one evening. In 2008, he performed Gerald Finzi’s Eclogue for Piano andStrings with the York Chamber Ensemble, and in 2003, was part of the Royal Ontario Museum’s grand re-opening.

Robert, who has been praised as “...a fine pianist with musical imagination and sensitivity” by McMasterArtist­in­Residence and internationally acclaimed pianist Valerie Tryon, will be featured soloist in recital for The Caskey School of Music concert series with a program entitled “Chopin and Friends” .Speaking of his recording of Bach’s F­minor Piano Concerto, renowned vocal coach Elaine Overholtsaid, “His nuances are exquisite. His incredible technique allows Robert so much range with thedynamics, and his heart leads you to the magic.” An important priority for Robert Horvath is music education. He founded the Horvath School of Music in 2002, and he has been an assistant teacher for vocal coach Elaine Overholt at the Big Voice Studio in Toronto where he teaches classical piano, jazz (harmony), song writing and improvisation. Robert was a recipient of a Canada Council grant in 2008. He earned his Masters Degree in Piano Performance and Pedagogy from the prestigious Franz Liszt Academy of Music and the Bela BartokConservatory of Music in his native Hungary; his musical ancestry can be traced back to Franz Liszt.


Joseph Phillips, double bass

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Born and raised in Toronto close to the rolling green hills of Christie Pits, Joe Phillips started studying classical guitar at age 9, at the University Settlement House Music School. He attended Oakwood Collegiate, and after some time playing the clarinet, he discovered the double bass. Time spent playing in various blues bars, Irish pubs and booze cans and four years studying with renowned classical virtuoso Joel Quarrington have led to a busy and diverse career. When not playing principal bass in Orchestra London Canada, Joe can be found making music with artists as varied as The Art of Time Ensemble, Via Salzburg Chamber Orchestra, Group of 27 Chamber Orchestra, cabaret siren Patricia O’Callaghan, songwriters Jenny Whiteley, Sarah Slean, Ruth Moody, the Wailin’ Jennys, Corin Raymond and Rita Chiarelli, jazz bassist/cellist/composer Andrew Downing, banjoist Jayme Stone, Canadian fiddlers Pierre Schryer and Shane Cook and Irish flute and whistle virtuoso Nuala Kennedy. Joe has performed with the National Arts Centre Orchestra, the Toronto Symphony Orchestra, Les Violons du Roy, I Musici de Montréal, Tafelmusik and the Festival of the Sound and is an annual participant in the Sweetwater Music weekend in Owen Sound, Ontario. He lives in London, Ontario with his partner and their two children.